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If Rose had played this new Billymaree two-pack for Jack during the sinking of the Titanic, maybe she would have genuinely lived to experience the love she capped about the entire movie and maybe she would have attempted to do all she could to save the young martyr's life. I bring all this up because the opening (presumed) "My Heart Will Go On" flip on "Somewhere (Slow)" drown you in the depths of sorrow to feel unjustifiable hurt all over again and inflict fresh wounds that we never realized were there in the first place.
Produced by Open Till L8 (additional keys by Mario Luciano), "Somewhere (Slow)" and "Tonight" fantasize a compassionate love deviating from a vindictive, inconsiderate one. In both records al dente chord progressions show up détente on emotions, but in specifics a rainy piano riff, pitched down groan harmonizes and cumbersome drums, like on "Tonight," play as extra baggage to maintain a status of sulking. Billymaree's palpable tones infect the discharging melodies. Choked up runs/riffs fight back the tears in the songwriting. The song leaves things destitute. And still nothing has truly been said about "Somewhere (Slow)."
Referencing the aforementioned Titanic scenario, this gripping passion is the energy Rose should have been carried with her. Billy's lurid falsetto sexes up the chorus, deepened expressions in the vocal riffs actively bolt its heart to anything remotely warm and affectionate. "Somewhere (Slow) // Tonight" is what the two Titanic lovers could have had. Maybe Billymaree still can.
Listen to "Somewhere (Slow) // Tonight" below.
Lead Photo Cred: soundcloud.com / guhlock & bygrxnd
If Rose had played this new Billymaree two-pack for Jack during the sinking of the Titanic, maybe she would have genuinely lived to experience the love she capped about the entire movie and maybe she would have attempted to do all she could to save the young martyr's life. I bring all this up because the opening (presumed) "My Heart Will Go On" flip on "Somewhere (Slow)" drown you in the depths of sorrow to feel unjustifiable hurt all over again and inflict fresh wounds that we never realized were there in the first place.
Produced by Open Till L8 (additional keys by Mario Luciano), "Somewhere (Slow)" and "Tonight" fantasize a compassionate love deviating from a vindictive, inconsiderate one. In both records al dente chord progressions show up détente on emotions, but in specifics a rainy piano riff, pitched down groan harmonizes and cumbersome drums, like on "Tonight," play as extra baggage to maintain a status of sulking. Billymaree's palpable tones infect the discharging melodies. Choked up runs/riffs fight back the tears in the songwriting. The song leaves things destitute. And still nothing has truly been said about "Somewhere (Slow)."
Referencing the aforementioned Titanic scenario, this gripping passion is the energy Rose should have been carried with her. Billy's lurid falsetto sexes up the chorus, deepened expressions in the vocal riffs actively bolt its heart to anything remotely warm and affectionate. "Somewhere (Slow) // Tonight" is what the two Titanic lovers could have had. Maybe Billymaree still can.
Listen to "Somewhere (Slow) // Tonight" below.
Lead Photo Cred: soundcloud.com / guhlock & bygrxnd
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