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All aboard for a Choo Jackson two-pack tailored for the fans.
One song, "Spagetti Freestyle," an unforgiving status update that is all nerve enhancing shots. The other, "La La," is a Larry Fisherman-produced song (psst, that's Mac Miller if you didn't know) in the tuck that clear-cuts Jackson's extended Most Dope Family ties and carves a track solely to get into shape.
"Spagetti Freestyle" can be seen as knocking fluff that lofts your confidence. Choo's airborne adlibs, self-mimicking flows and green lyrics annotating themselves with price tags rack up a gliding melody over a ritzy chord progression looped around clam shucking 808 drums and over-inflated bass drops.
"La La" brings you in the fold of knowing the amount of fun making music with your friends can be. The uneven, opening riff and chord progression making said riff practically attaches a visual of Larry Fisherman's creamy white and pastel looking blue Telecaster to the sound. Melodic fuggy bass mirrors the schmoozing melody and anchors the rhythm. The gymnasium claps sound encouraging to stay comfortable in your pocket and Choo Jackson wastes no time getting in the mix. A jesting sounding hook is delivered in earnest. Onomatopoeia delivery at the end of lines using a hesitation flow control the hype of the record. And of course the freaky "La La" background vocals easily make the track fun. "La La" is a warm up to keep skills sharp, a condition Choo Jackson and Larry Fisherman were, and with tracks being released from the vault, still are.
Listen to "Spagetti Freestyle" & "La La" below.
Lead Photo Cred: soundcloud.com
All aboard for a Choo Jackson two-pack tailored for the fans.
One song, "Spagetti Freestyle," an unforgiving status update that is all nerve enhancing shots. The other, "La La," is a Larry Fisherman-produced song (psst, that's Mac Miller if you didn't know) in the tuck that clear-cuts Jackson's extended Most Dope Family ties and carves a track solely to get into shape.
"Spagetti Freestyle" can be seen as knocking fluff that lofts your confidence. Choo's airborne adlibs, self-mimicking flows and green lyrics annotating themselves with price tags rack up a gliding melody over a ritzy chord progression looped around clam shucking 808 drums and over-inflated bass drops.
"La La" brings you in the fold of knowing the amount of fun making music with your friends can be. The uneven, opening riff and chord progression making said riff practically attaches a visual of Larry Fisherman's creamy white and pastel looking blue Telecaster to the sound. Melodic fuggy bass mirrors the schmoozing melody and anchors the rhythm. The gymnasium claps sound encouraging to stay comfortable in your pocket and Choo Jackson wastes no time getting in the mix. A jesting sounding hook is delivered in earnest. Onomatopoeia delivery at the end of lines using a hesitation flow control the hype of the record. And of course the freaky "La La" background vocals easily make the track fun. "La La" is a warm up to keep skills sharp, a condition Choo Jackson and Larry Fisherman were, and with tracks being released from the vault, still are.
Listen to "Spagetti Freestyle" & "La La" below.
Lead Photo Cred: soundcloud.com
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